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dc.contributor.authorHytönen-Ng Elina
dc.date.accessioned2017-08-10T08:06:58Z
dc.date.available2017-08-10T08:06:58Z
dc.date.issued2017
dc.identifier.urihttps://erepo.uef.fi/handle/123456789/3715
dc.description.abstractThis article investigates the concept of imagined community amongst the professional jazz musicians; more closely the way that this imagined community functions within the scene. Through the focusing on the imagined community, the article extends the examination into the performance venues, the movement between venues and the meanings attached to them, revealing the reasons why an imagined community is beneficial for the musician. The research data is composed of ethnographic fieldwork was conducted in jazz circles in the United Kingdom between 2006 and 2012. Through the exploration of the places occupied by the musicians, the article reveals how the community becomes concrete through the musicians’ movements. The article examines what added value it might hold for them. All in all, the investigation makes sense of the social conditions that create the need for such a community.en
dc.language.isoENen
dc.relation.ispartofseriesJazz Research Journalen
dc.relation.urihttp://dx.doi.org/10.1558/jazz.33273en
dc.rightsAll rights reserveden
dc.titlePlace and imagined community in jazzen
dc.description.versionfinal draften
dc.contributor.departmentSchool of Humanities / Finnish Language and Cultural Researchen
uef.solecris.id48750350en
dc.type.publicationinfo:eu-repo/semantics/articleen
dc.rights.accessrights© Equinox Publishing Ltden
dc.relation.doi10.1558/jazz.33273en
dc.description.reviewstatuspeerRevieweden
dc.format.pagerange62-79en
dc.relation.issn1753-8637en
dc.relation.issue1en
dc.relation.volume11en
dc.rights.accesslevelopenAccessen
dc.type.okmA1en
dc.type.versioninfo:eu-repo/semantics/acceptedVersionen
uef.solecris.openaccessEi


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